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In ‘Furious Country,’ Characters Are Trapped

“There,” said the landlord, placing the candle on a crazy old sea chest that did double duty as a wash-stand and centre table; “there, make yourself comfortable now, and good night to ye.” I turned round from eyeing the bed, but he had disappeared.

  • Why, afore we give it up, Sal used to put our Sam and little Johnny in the foot of it.
  • But I got a dreaming and sprawling about one night, and somehow, Sam got pitched on the floor, and came near breaking his arm. Arter that, Sal said it wouldn’t do.
  • Come along here, I’ll give ye a glim in a jiffy;” and so saying he lighted a candle and held it towards me, offering to lead the way.
  • But I stood irresolute; when looking at a clock in the corner, he exclaimed..

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But what is this on the chest? I took it up, and held it close to the light, and felt it, and smelt it, and tried every way possible to arrive at some satisfactory conclusion concerning it.

I can compare it to nothing but a large door mat, ornamented at the edges with little tinkling tags something like the stained porcupine quills round an Indian moccasin. There was a hole or slit in the middle of this mat, as you see the same in South American ponchos. But could it be possible that any sober harpooneer would get into a door mat, and parade the streets of any Christian town in that sort of guise?

Folding back the counterpane, I stooped over the bed. Though none of the most elegant, it yet stood the scrutiny tolerably well.

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